The Vatican Vaults are open!

1795476_1084280334918889_265400601105857995_nIn Going Retro: Ringing the Bells of the Harelle, and the Pikart Posse Returns I wrote about my story “Bells of the Harelle”, which was accepted by David V Barrett for Tales of the Vatican Vaults in Constable & Robinson’s Mammoth Books series. Now this anthology has been let loose upon the world. As befits the series name, Vatican Vaults is a substantial 500+ page volume packed full of stories and helpful editorial commentary.

It’s based on a unique alternative world premise: Pope John Paul I did not die a month after his accession in 1978. Instead he lived for over 25 years, and opened up the most secrets parts of the Vatican Library to scholars. We will find all the manner of strange and suppressed stories within…

I tend to dip in and out of collections of shorter fiction between novels, so I’m only just beginning to read through this anthology. I’ve found it fascinating just as a casual reader as well as one of the contributors. Each story has a preface and an afterward giving scholarly comments on the contents. This has let to a lot of excited googling, wanting to find out what’s real and what’s made up. So this anthology is wonderful in the way it blurs the boundary between the real and the fantastical. Sarah Ash had me looking up the history of Allegri’s Miserere: yes, it really was forbidden to transcribe this piece and those who did would be excommunicated. And what is the connection of Eleanor of Aquitaine and the Order of the Golden Dawn, as explored by JM Brugee in “Songs of Love”? While tantalising to the historically minded, these rollicking tales also entertain in their own right.

My own contribution,”Bells of the Harelle” is a chronicle of fourteenth-century rioting and eroticised heresy; it also reveals that certain medieval sects had stumbled on scientific mysteries much earlier than we imagined. In some ways this story is a prequel to my novel-in-progress about a woman leader of the Pikarts or ‘Adamites’, an anarchistic and free-loving faction in the Hussite revolution of fifteenth-century Bohemia.

As I wrote “Bells of the Harelle” I grew very fond of my character Seraphine. We meet her as a young wife in Ghent, where a revolt by weavers in the 1380s gives her the impetus to leave her unhappy marriage and dedicate herself to changing the world, a mission that takes her to the turbulent streets of Rouen, to Brussels and Tournai. After the Inquisition cracks down on Seraphine’s sect of sensual heretics, she ends up as a refugee in Prague on the eve of the Hussite revolution. And that’s where my novel Heretics begins.

After the defeat of the 'Harelle' in Rouen in 1382, the army removed the tongues from the bells that had summoned people to rise up against a new tax. The bell tower was later destroyed

After the defeat of the ‘Harelle’ in Rouen in 1382, the army removed the tongues from the bells that had summoned people to rise up against a new tax. The bell tower was later destroyed

When I first started writing Heretics, Seraphine dies early in the novel. She was getting on a bit, after all… But now that her character has grown more in “Bells”, I now feel like I’d rather keep her around longer. She’s sly and salty, tough and humorous, as well as a bit grumpy.

So that’s yet another decision looming on the horizon now that I’m looking at this book again. Is dear old Seraphine one darling I’ll have to kill? Yet gratuitous character carnage always annoyed me as a reader. Oh we need something dramatic, let’s shoehorn in some of that Hollywood Screenwriting 101 brand of ‘Conflict’ – eeny meeny mighty mo, that one has to go!

No doubt I’ll have more thorny thickets to clear out as I work on Heretics. Meanwhile, if you want to meet some of its characters and read some enjoyable stories, Tales from the Vatican Vaults is available in paperback and on Kindle. You might even find it in a non-specialist bookshop on your high street.

And since we’re on publication news, I’m pleased to announce that Soliloquy for Pan will have a second printing at the end of September, so those who missed out on the first run will have another chance. The second edition will also feature some new illustrations. Watch this space or visit the Egaeus Press website for more news.

Another great development is that Horror Uncut: Tales of Social Insecurity and Unease has been nominated for the British Fantasy Society’s best anthology award. The winner will be announced at Fantasycon at the end of October. I’ll have more information relating to Fantasycon in the very near future.

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