Resonance & Revolt listed among year’s best in Vector – plus Kindle edition and two more reviews

devan 2In a great start to a recent weekend, I discovered that writer and critic Dev Agarwal has listed Resonance & Revolt among his year’s best in Vector. Never mind the croissants – this was the ultimate treat with my Saturday morning coffee. Dev writes:

“These stories span historical European settings, contemporary Britain and the near future. The collection is thematically linked around the concepts of resistance and Lynda Rucker discusses in her introduction how Rabinowitz’s evocative prose gifts the reader with a sense of the history and also a present that feels layered by the lives of those now past.”

Thanks, Dev.

And now in further R&R news, the Kindle edition of Resonance & Revolt is now live. Since 2010 I’ve been an avid Kindle user. Yes, I enjoy paper books and will always keep a lot of them on hand. I still buy them for special occasions or when I’m looking at a book with beautiful graphics. However, I love being able to transport an entire library with me. It’s especially useful when I have a few anthologies and collections on the go. I always appreciate the opportunity to try out new writers with an inexpensive click, so I’m very pleased to make my book accessible this way and available at £2.99.

I am also pleased to report two more reviews since the last R&R Review RoundupOne was part of a roundup by David V Barrett in Fortean Times (374). He writes that “revolutionary religion and politics, music and art wind in and out of these fascinating stories”. This review isn’t available online but I’ve posted a screenshot below. It includes a piece of the next review, which looks at Christopher Priest’s book An American Story. I did this partly for the sake of symmetry and also because I’m happy with the company.

 

This is followed by a review from Seregil of Rhiminee at Rising Shadow. He writes:
“It’s a must-read collection for everybody who loves literary and intelligent speculative fiction, because it’s different, captivating and thought-provoking. I was deeply impressed by this collection and found it utterly compelling. It’s an intriguing re-imagining of what the world could be like, but it’s also much more than that, because there are many layers in it. Reading it is like pealing an onion and seeing what lies behind each layer. Whether the revelations are beautiful, challenging or strange, they’re always captivating and intriguing, because time and history are wonderfully intertwined in the stories. There’s also insightful wittiness in the stories that adds fascination to them.”
This review had been published in December 2018. It was just the thing to read and reread slowly as the mid-winter darkness rolled in. 🙂
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Resonance & Revolt & real-time reviews – and some rugelach too

R&R&R1So Resonance & Revolt has been out for a good few weeks! I was so absorbed in preparations for the launch a couple of weeks ago I forgot to mention that, as well as post about the launch in this blog. However, details were tweeted and also put on Facebook so I hope everyone who wanted to come knew about it.

I’ll write some more about the event itself but I’ll now highlight R&R’s first review from Des Lewis. If the name rings a bell, several stories in R&R such as “Survivor’s Guilt”, “Pieces of Ourselves”, “In the Pines”, “The Pleasure Garden” and “The Turning Track” have received Des’ treatment on first appearance, which I’ve featured in previous posts. “Lambeth North” had actually appeared in one of his own anthologies, Horror Without Victims.

Des Lewis’ ‘real-time’ reviews are unique, thought-provoking and always a treat to read. They’re packed with word play and poetry as they unearth associations and currents in the work that I might miss myself when I’ve been so close to it. Other writers describe similar experiences of discovery and regard a Des Lewis review as a work of literature in its own right. I second that. Perhaps you can call this a review of a review. I always feel very honoured by the attention and thought Des puts into his reviews.

They are usually beautifully illustrated as well. I’ve included his cut-out of the tiles from “Lambeth North” that appears on the cover of R&R below, which he connects with the avatar he uses on website. After his exploration of each story, Des sums up:

cropped-2c2a069b-415e-45b1-96c7-9b4c857f22d21“Resonance & Revolt. From Didcott to Didactic, a grail or Rosannation for socialist outreach but made even more palatable as percolated by truth and inspirationally infused by the book’s creative tapping of histories, myths and alternate visions, transfigured from rustblind through to silverbright. Some very important stories in this book transcending any didacticism. And a gestalt of them all that will be enduring. And a book cover that sings out with all these things.”

On 19 May we launched R&R, along with more books published by Eibonvale, Snuggly Books and other imprints. A major thanks goes out to anyone who came and helped make it such an enjoyable afternoon. Books were read (and sold), chats were had, drinks  were drunk and snacks were noshed. The sun was shining in the beer garden… Readings came from myself, Rhys Hughes, Quentin S Crisp, Terry Grimwood, Tom Johnstone and Allen Ashley.

Tiles from DesThe event was MC’ed by Allen Ashley, who did a stellar job at the 2013 event that launched Helen’s Story, Rustblind and Silverbright, Stardust and other books. I read extracts from “The Pleasure Garden” from Something Remains – since we were very near to its location amid the cranes and building sites of Nine Elms – and closed the readings with an extract from “The Matter of Meroz”, which first appeared in Jews vs Aliens. The passage involved the enjoyment of certain Jewish delicacies as a sensory means of creating wormholes – or as known respectively in the Talmud and the Book of Deborah – the ‘leaping of the roads’ and the ‘crumpling of the sky’.

RugelachRugelach plays a key role in this process. They’re small pastries made from a dough with cream cheese or sour cream, plus whatever you fancy putting in them. We distributed some cinnamon-spiced samples after the reading. And you know what? Maybe the road did leap just a little, or else it could’ve been the free beer having its effect!

After the launch about 25 of us went to Mamuska, a Polish canteen style eaterie at Elephant & Castle. All in all, it was a lovely way to mark the passage of R&R into the world.

You can buy Resonance & Revolt in paperback and hardback formats from most online booksellers – Amazon, Foyles and others – and from Eibonvale Press. Meanwhile, an ebook edition is also in the works.

I’ll finally add that if you have a blog or publication and want to review R&R, get in touch with Eibonvale.

 

 

Off to the printers…

Final tweaks and twiddles done. The book has been sent!

Back in my ‘zine mongering days, ‘going to the printers’ meant stumbling onto a train after pulling an all-nighter, lugging the artwork in some unwieldy and tattered portfolio. I was always terrified that something could happen along the way that would scupper publication. A train wreck, perhaps. Or I’d be mugged for the very coveted contents of my portfolio.

Now it’s so much easier. Just a click of the button, according to Eibonvale editor David Rix.

And glasses are now raised in Kennington and Hackney…

Cheers!

Resonance & Revolt on its way…

unnamedThe final touches to my collection Resonance & Revolt are in progress and it should be ready to go to the printer very soon. Ebook editions will also be produced. There may be a further tweak or two on the cover but the picture above should give you a good idea of what it will look like. Meanwhile, the book is available for preorder at Eibonvale Press.

Eibonvale describes the book as an “intense and erudite collection of slipstream stories steeped in European history and the world of modern Britain”. This extract from the introduction provided by Lynda E Rucker – friend, fellow writer and cohort in several anthologies – expands on this:

At the heart of Resonance & Revolt is a radical reimagining of what the world could be, both politically and metaphysically. Revolutionaries spill out of its pages, whether they hail from 15th-century Central Europe, the present-day era of austerity in the UK or one of its likely near-futures…
Reading Rosanne’s stories feels like standing in the ruins of a thousand-year-old fortress where you can almost hear the past breathing around you, or in some other liminal place: a magical wood, perhaps, but sometimes the most ordinary of city streets, where you might slip into somewhere else before you realise what’s happened.
You will find all of those places in here, ruins and enchanted woods and city streets that unexpectedly contain magic, and more besides. This sense, of the permeable nature of time and place, is one of the things I love best in these stories, but there are others as well: the striking characters, artists and misfits and activists, many of them existing on the fringes but all of them tough survivors still engaged with the world around them.
The stories here make you want to look at the world more intently, for it is heaving with possibility if only we know how to look. This is an idea that comes up again and again, the sense that we need to pay attention. That there really is a deep mystery at the heart of it all, and it’s worth seeking it out.

When I’m so close to my own work, rubbing my nose in it on a daily basis, it’s easy to lose sight of its essence. It often takes another eye to put it all in perspective, and I thank Lynda for her inspiring comments. I hope those of you reading this will join me in seeking out the deep mystery and discovering that vision of the world as it could be.