I’m pleased to announce that The Golden Hour, originally published in Uncertainties III, has been selected by Johnny Mains for the 2019 edition of Best British Horror. Though I had honourable mentions from Ellen Datlow in 2016 for The Lady in the Yard and Meat, Motion and Light, this will be my first appearance in a ‘best of the year’ anthology. As with any reprint, it is lovely to know that not only one – but two – editors liked a story enough to publish it.
Here’s the table of contents. I’m thrilled to find myself among such a distinguished and exciting bunch of writers.
CAVE VENUS ET STELLA – Anna Vaught
WORMCASTS – Thana Niveau
THEY TELL ME – Carly Holmes
DISAGREEABLY HITCHED – Gary Fry
PACK YOUR COAT – Aliya Whiteley
VOICES IN THE NIGHT – Lisa Tuttle
THE FULLNESS OF HER BELLY – Cate Gardner
MAW – Priya Sharma
TEUFELSBERG – Madhvi Ramani
THE OTHER TIGER – Helen Marshall
SENTINEL – Catriona Ward
THE WORM – Samantha Lee
THE ADJOINING ROOM – AK Benedict
THE GOLDEN HOUR – Rosanne Rabinowitz
THE PERFECT DAY TO BE AT SEA – Kayleigh Marie Edwards
THE HARDER IT GETS THE SOFTER WE SING – Steven Dines
THE DEMON L – Carly Holmes
BY SEVERN’S FLOOD – Jane Jakeman
FISH HOOKS – Kit Power
OLD TRASH – Jenn Ashworth
BOBBO – Robert Shearman
I thank Johnny Mains for selecting my story and I also thank Lynda E. Rucker, who edited Uncertainties III. The Golden Hour is one of three stories selected from this anthology; the other two are Bobbo by Robert Shearman and Voices in the Night by Lisa Tuttle.
And while I’m talking Golden Hour, I’ll also post two ‘real-time’ reviews of Uncertainties III. One comes from Des Lewis, which I somehow missed when it was in progress over September and October 2018. The other appeared in Supernatural Tales, which ran a review over several weeks.
Des writes that the anthology is “crammed with unforgettable observations of our imaginarium, our past country that is LP Hartley’s as well as a future rapture when the present is finally transcended.” He concludes a rundown of all the stories with comments about my own contribution. I particularly appreciate the way Des put the story in context with my other work and its recurring locations.
“An effulgent work amid this by-line’s characteristic stamping-ground of 20th interfaced with 21st century inner South London. Working people in interface with rapture and haunting, to try shake off the thrall others have put on them… As a photographer myself in recent years, I cherished the description of this art herein. And the whole ambiance of this equally free-flowing text positively subsumed any of my negativity today.”
David Longhorn’s review of this “nifty new anthology” in Supernatural Tales starts on 27 October 2018: “Uncertainties means just that – the moments when we are unsure if we have glimpsed a ‘little slip of the veil’, exposing us to something that may be supernatural, or at least unknown.” He goes on to review each story and concludes with a look at The Golden Hour.
“The story is strange, and rather wonderful, but it is rooted in the sheer oddness of friendship – how people come together, how they drift apart. Friendship is more mysterious than love, in some respects, and the author explores this mystery while conjuring up a London as numinous as anything in Machen.”
These are the kind of reviews I need to reread if I get downhearted. Thanks very much, David and Des.