So Resonance & Revolt has been out for a good few weeks! I was so absorbed in preparations for the launch a couple of weeks ago I forgot to mention that, as well as post about the launch in this blog. However, details were tweeted and also put on Facebook so I hope everyone who wanted to come knew about it.
I’ll write some more about the event itself but I’ll now highlight R&R’s first review from Des Lewis. If the name rings a bell, several stories in R&R such as “Survivor’s Guilt”, “Pieces of Ourselves”, “In the Pines”, “The Pleasure Garden” and “The Turning Track” have received Des’ treatment on first appearance, which I’ve featured in previous posts. “Lambeth North” had actually appeared in one of his own anthologies, Horror Without Victims.
Des Lewis’ ‘real-time’ reviews are unique, thought-provoking and always a treat to read. They’re packed with word play and poetry as they unearth associations and currents in the work that I might miss myself when I’ve been so close to it. Other writers describe similar experiences of discovery and regard a Des Lewis review as a work of literature in its own right. I second that. Perhaps you can call this a review of a review. I always feel very honoured by the attention and thought Des puts into his reviews.
They are usually beautifully illustrated as well. I’ve included his cut-out of the tiles from “Lambeth North” that appears on the cover of R&R below, which he connects with the avatar he uses on website. After his exploration of each story, Des sums up:
“Resonance & Revolt. From Didcott to Didactic, a grail or Rosannation for socialist outreach but made even more palatable as percolated by truth and inspirationally infused by the book’s creative tapping of histories, myths and alternate visions, transfigured from rustblind through to silverbright. Some very important stories in this book transcending any didacticism. And a gestalt of them all that will be enduring. And a book cover that sings out with all these things.”
On 19 May we launched R&R, along with more books published by Eibonvale, Snuggly Books and other imprints. A major thanks goes out to anyone who came and helped make it such an enjoyable afternoon. Books were read (and sold), chats were had, drinks were drunk and snacks were noshed. The sun was shining in the beer garden… Readings came from myself, Rhys Hughes, Quentin S Crisp, Terry Grimwood, Tom Johnstone and Allen Ashley.
The event was MC’ed by Allen Ashley, who did a stellar job at the 2013 event that launched Helen’s Story, Rustblind and Silverbright, Stardust and other books. I read extracts from “The Pleasure Garden” from Something Remains – since we were very near to its location amid the cranes and building sites of Nine Elms – and closed the readings with an extract from “The Matter of Meroz”, which first appeared in Jews vs Aliens. The passage involved the enjoyment of certain Jewish delicacies as a sensory means of creating wormholes – or as known respectively in the Talmud and the Book of Deborah – the ‘leaping of the roads’ and the ‘crumpling of the sky’.
Rugelach plays a key role in this process. They’re small pastries made from a dough with cream cheese or sour cream, plus whatever you fancy putting in them. We distributed some cinnamon-spiced samples after the reading. And you know what? Maybe the road did leap just a little, or else it could’ve been the free beer having its effect!
After the launch about 25 of us went to Mamuska, a Polish canteen style eaterie at Elephant & Castle. All in all, it was a lovely way to mark the passage of R&R into the world.
You can buy Resonance & Revolt in paperback and hardback formats from most online booksellers – Amazon, Foyles and others – and from Eibonvale Press. Meanwhile, an ebook edition is also in the works.
I’ll finally add that if you have a blog or publication and want to review R&R, get in touch with Eibonvale.